Wine Glass Abstracts: In Vino Veritas
I had fun with this one, and I’m not done w/ the theme, yet, either. That said, there’s only so many props you can consume in one draw…
Prost!
I had fun with this one, and I’m not done w/ the theme, yet, either. That said, there’s only so many props you can consume in one draw…
Prost!
I have started to venture into product photography and was fortunate enough to have one of the country’s most renowned potters/sculptors right at my door step – Jim Spires. Here are some photos of his face jars that will be entered in this year’s Biennale of Modern Art in Italy. Enjoy!
OK, so I’ll admit – but not to sound creepy. It’s my inner artist who is writing here. What I’m about to post makes me almost giddy. God, I’m so blessed to have great models like that. Like the previous batch… More good stuff to come. Enjoy!
The cream of what I took in March. Working title is “Anime Meets 1880″.
This is my son’s. I’m proud to say he has a keen eye and a great way of seeing people.
There are of course more, but how many of these pictures can you seriously fit on one blog page?
A quick word about fixed-length lenses. I used to underestimate my fixed f/1.8 50mm lens, which I had gotten basically on a whim. It wasn’t terribly expensive, so why not, right?
I have to admit I didn’t take this lens seriously until I saw what it could do on a recent photo shoot. Even in natural and low light, which are the conditions I am mostly shooting in because I have yet to be able to afford those fancy lights I’ve been drooling over for months. More or less all of the portraits that turned out the best were shot with this lens. It takes AMAZING pictures.
Granted, you have to put a little more work into it, because you cannot vary the length. You have to physically move in and out. But it was WELL worth it! In fact, so much so that I’m thinking about a few more fixed-length lenses.
An example here: